Multi aperture pinhole photograph printed onto True Fibre paper : 90 x 90 cm : Edition 7

Multi aperture pinhole photograph printed onto True Fibre paper : 90 x 90 cm : Edition 7

Multi aperture pinhole photograph printed onto True Fibre paper : 90 x 90 cm : Edition 7

Multi aperture pinhole photograph printed onto True Fibre paper : 90 x 90 cm : Edition 7

Multi aperture pinhole photograph printed onto True Fibre paper : 90 x 90 cm : Edition 7

Multi aperture pinhole photograph printed onto True Fibre paper : 90 x 90 cm : Edition 7

Multi aperture pinhole photograph printed onto True Fibre paper : 90 x 90 cm : Edition 7

Multi aperture pinhole photograph printed onto True Fibre paper : 90 x 90 cm : Edition 7

Multi aperture pinhole photograph printed onto True Fibre paper : 90 x 90 cm : Edition 7

Multi aperture pinhole photograph printed onto True Fibre paper : 90 x 90 cm : Edition 7

Multi aperture pinhole photograph printed onto True Fibre paper : 90 x 90 cm : Edition 7

Multi aperture pinhole photograph printed onto True Fibre paper : 90 x 90 cm : Edition 7

Multi aperture pinhole photograph printed onto True Fibre paper : 90 x 90 cm : Edition 7

Multi aperture pinhole photograph printed onto True Fibre paper : 90 x 90 cm : Edition 7

Multi aperture pinhole photograph printed onto True Fibre paper : 90 x 90 cm : Edition 7

Multi aperture pinhole photograph printed onto True Fibre paper : 90 x 90 cm : Edition 7

With my Mandalas I wanted to create images that subverted what the viewer thought they were seeing. Within each image are references to my environment. These references have been ‘re aligned’ to present four different versions of each scene. Thus with each iteration, although it may seem to be completely different from it’s neighbors, it in fact holds all the same elements. This is the second set that I created.